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Les scénarios d'un grand nombre de films et de séries TV sont inspirés d'œuvres écrites, romans, nouvelles, pièces de théâtre, biographies ou encore bandes dessinées. Réussir ces transpositions à l'écran requiert des qualités et des méthodes spécifiques. Faut-il être aussi fidèle que possible au texte d'origine ? Quels sont les impératifs à respecter ? Peut-on conserver l'ensemble des personnages ? Doit-on retrouver le contexte, le monde et l'époque du récit sur le grand ou le petit écran ? Rédigé par un spécialiste du sujet et illustré par des exemples variés de films et de séries TV, ce guide pratique vous apprend à adapter une œuvre littéraire pour l'écran en analysant son contenu, son style et son ton, et en opérant des choix judicieux.

Film adaptations. --- Television adaptations. --- Motion picture authorship. --- Television authorship.

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Literature --- Film adaptations --- Stage adaptations --- Artistic collaboration. --- Adaptations --- History and criticism. --- History and criticism. --- History and criticism.

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Philosophy --- Ancient --- Didactic poetry --- Latin --- Adaptations

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The arrival of the film industry's sound era in the late 1920s quickly consigned silent film to being 'yesterday's thing.' As a result, the cans containing gently crumbling or spontaneously combusting prints of silent films were not a mainstream archiving priority for some time.

Film --- Shakespeare, William --- Shakespeare, William, --- Film adaptations --- History and criticism. --- Television adaptations

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"Asking why adaptation has been seen as more problematic to theorize than other humanities subjects, and why it has been more theoretically problematic in the humanities than it has been in the sciences and social sciences, Theorizing Adaptation seeks to both explicate and redress "the problem of theorizing adaptation" through a metacritical history of theorizing adaptation from the late seventeenth century to the present, a metatheoretical theory of the relationship between theorization and adaptation in the humanities, and analysis of the rhetoric of theorizing adaptation. The history finds that adaptation was not always the bad theoretical object that it increasingly became from the late eighteenth century: in earlier centuries, adaptation was celebrated and valued as a means of aesthetic and cultural progress. Tracing the falling fortunes of adaptation under theorization, the history reveals that there have always been dissenting voices valorizing adaptation. Adaptation studies can learn from history not only how to theorize adaptation more positively, but also to consider "the problem of theorization" for adaptation. Metatheoretical analysis of what theorization and adaptation are and how they function in the humanities finds that they are rival, overlapping, inimical processes, each seeking to remake culture -- and each other -- in their images. It is not simply the case that adaptation has to adapt to theorization: rather, theorization needs to adapt to and through adaptation. The final section attends to the rhetoric of theorizing adaptation, analyzing how tiny pieces of rhetoric have constructed adaptation's relationship to theorization, and turning to figurative rhetoric, or figuration, as a third process that has can mediate between adaptation and theorization and refigure their relationship. Moreover, particular rhetorical figures can redress particular problems in adaptation studies and open new ways to theorize adaptation studi

Literature --- Film adaptations --- Adaptations --- History and criticism --- Comparative literature --- Sociology of literature --- Belles-lettres --- Western literature (Western countries) --- World literature --- Philology --- Authors --- Authorship --- Adaptations&delete& --- Literature - Adaptations - History and criticism --- Film adaptations - History and criticism